A romance between two mentally handicapped youngsters.

The modest wedding plans of a celebrity and his down-to-earth fiancée escalate while Mick gets an enticing opportunity Olivia won’t let him refuse, putting their own big day in jeopardy.

A Newfoundland fishingboat comes to the aid of a wrecked Danish sailing ship and tows it to a small village, but eventually the captain of the fishingboat realises that it's a U-boat supply ship in disguise, loaded with torpedoes. So, together with his crew and a group of villagers he sets about a plan to blow the ship as well as any U-boats that approach it. Based on the novel "The Gaunt Woman" by Edmund Gilligan.

At a Christmastime event, Jenna shares an impromptu, unforgettable kiss with the dashing billionaire, Cooper Montgomery. Unaware of his intentions and fearful of getting hurt in another relationship, Jenna vows to resist his charms, but begins to realize his affection is real as the two spend more time together.

True story of a middle class mother charged with murdering her baby, despite her denials. Re-tells the story of the medical and police investigations, the later court proceedings and the final outcome.

A lonely mistress falls for her neighbor and fellow mistress, igniting a passionate affair. Meanwhile, two women betrayed by the same man join forces to catch him in the act, only to find love in each other.

泰林在完成最后一项任务后，决心告别杀手生涯。没想到，他意外地与昔日恋人智媛重逢。如今已是顶级居家护理专家的智媛，通过在一位客户家中发现的打火机察觉到了泰林的踪迹。经过一番短暂的误会后，两人拔刀相向地重聚了。

暂无剧情简介

Po Yuan Juan’s It was just a virtual kiss is a game video essay that reimagines a love story unfolding within the world of World of Warcraft. The narrative transforms the virtual realm into a canvas for exploring how players construct and extend their identities, using digital avatars as vessels for intimacy. By venturing beyond the screen, the characters evoke the illusion of tangible connection — touching, embracing, and even kissing— across diverse fantasy incarnations. Employing a blend of machinima and computer-realistic animation, the work challenges traditional perceptions of the body, proposing a new, digitally constructed form of existence. The game world becomes a meeting ground for digital haptic perception and actual bodily movement, effectively blurring the line between the virtual and the real. This immersive exploration prompts several provocative questions: Could alternative forms of embodiment exist beyond our physical limitations? To what extent does media technology overcome the constraints of the human body? Might these digital embodiments inspire a new kind of spirit or emotional connection?